In your everyday life, how do you encounter Black women? As the first voice you hear when you bump your favorite diva's new song? A millisecond of eye contact with the lady who made your salad? A brief conversation with the woman watching your kids? A coworker? A politician on the screen? Perhaps you simply have to look in the mirror.
Semblance will be presented as both a remote virtual experience and an intimate and immersive theatrical installation at NYTW.
DREAMers. Love(r)s. Life-long friends. Negotiating the promise of safety and the weight of responsibility, they’ll fight like hell to establish a place for themselves and each other in America. 2018 Pulitzer Prize winner and NYTW Usual Suspect Martyna Majok brings us an unforgettable story that asks what we’re willing to sacrifice for someone we love.
On Day 3 of the COVID-19 pandemic, Kristina Wong began sewing masks out of old bedsheets and bra straps on her Hello Kitty sewing machine. Before long, she was leading the Auntie Sewing Squad, a work-from-home sweatshop of hundreds of volunteers—including children and her own mother—to fix the U.S. public health care system while in quarantine. It was a feminist care utopia forming in the midst of crisis. Or was it a mutual aid doomsday cult?
Sugarland is on precarious soil—three mobile homes line a southern cul-de-sac replete with years and years of decorative folk-art treasures and keepsakes. Twelve-year-old Sadie calls on generations of matriarchal ancestors to find the truth about her mother while the denizens of Sugarland rise each day to holler for the dead—conscripted soldiers lost to a greedy war—in a ritual reclamation of timeless grief.
At her final concert, South African musical legend and activist Miriam Makeba delivers the performance of her life, raising the conscience and the consciousness of a people. But the ancestors are calling—transporting her through the music and fractured memories of her past on a spiritual journey.