2050 Artistic Fellowship

For over 20 years, NYTW has honed an artistic development fellowship program for early career theatre makers representing a multiplicity of perspectives. These fellowships have taken many forms, supporting playwrights, directors, designers and administrators. 

What is the 2050 Artistic Fellowship?

The 2050 Fellowship is named in celebration of the U.S. Census Bureau’s projection that by the year 2050, there will be no single racial or ethnic majority in the United States.

This projection provokes thoughts at New York Theatre Workshop about the transformations that will take place in the American landscape—demographically, technologically, environmentally, and artistically—now and in the future. They are a catalyst for broader questions about our ever-transforming field. How can theatre challenge our conceptions of storytelling? How can we push aesthetic boundaries in the 21st century? What is the power of theater today?

Each year we’re honored to invite a cohort of 2050 Artistic Fellows to join us in making art, engaging in deep conversation, and being in community. The 2050 Artistic Fellowship embodies our values of nurturing and cultivating an artistic community that challenges dominant paradigms and amplifying those whose experiences are not often heard.

The 2050 Artistic Fellows are early career artists who, with their unique voices, give us perspective on the world in which we live and who inspire us all to contend with this changing world.

More Details on the 2050 Fellowship

Learn More

NYTW thinks broadly about who can initiate a theatrical event (see the FAQ’s for more). The 2050 Artistic Fellowship will accept up to six theatermakers for the 2022-23 Season. These fellowships will entail a commitment from June 2022 to June 2023.

NYTW’s 2050 Fellowships consists of five basic components:

1) Monthly fellowship meetings where fellows meet with each other and members of the New York Theatre Workshop community to discuss craft, aesthetics, and artistic development;

2) Access to rehearsal space and an opportunity to share work-in-progress with the NYTW Artistic staff and entire fellowship cohort;

3) Mentorship from the NYTW Artistic Staff and contemporary theatre artists;

4) An invitation to participate in the artistic life of the theater by attending staff meetings, developmental readings, dress rehearsals, and other NYTW special events;

5) A three-day weekend retreat at the start and end of the fellowship

2050 Fellows are awarded both a stipend and an additional artistic development fund that supports Fellowship projects, theatre tickets, research or travel.

Meet the Fellows

2050 Fellows (2013 - Present)

PAST 2050 FELLOWS:
Tara Ahmadinejad
Melis Aker
Michael Alvarez
Elena Araoz
Nissy Aya
Jeff Augustin
Matt Barbot
Hilary Bettis
Lileana Blain-Cruz
Eleanor Burgess
Tearrance Arvelle Chisholm
Jeesun Choi
Shayok Misha Chowdhury
Nana Dakin
Josiah Davis
Nathan Alan Davis
Will Davis
Mashuq Deen
Reginald L. Douglas
Sanaz Ghajarrahimi
Noelle Ghoussaini
Miranda Haymon
Michel Hausmann
Kimille Howard
Phillip Howze
Hansol Jung
Seonjae Kim
Patricia Ione Lloyd
Kareem M. Lucas
Martyna Majok
Divya Mangwani
Adil Mansoor
Alexandru Mihail
Beto O’Byrne
Brian Otaño
Tatiana Pandiani
Ming Peiffer
Francis Weiss Rabkin
Danny Sharron
Ruth Tang
Danya Taymor
Tyler Thomas
Stevie Walker-Webb
Gabriel Vega Weissman
Whitney White
Nia Ostrow Witherspoon
David Zheng
Mo Zhou

Emerging Artist Fellows (2011-2013)

Jade King Carroll
Jackie Sibblies Drury
Kareem Fahmy
Simón Adinia Hanukai
Ed Sylvanus Iskandar
Julián J. Mesri
Janine Nabers
Matthew Paul Olmos
Tamilla Woodard
Pirronne Yousefzadeh
Zhu Yi
Catherine Yu

Emerging Artist of Color Fellows (1999-2011)

May Adrales
Aravind Enrique Adyanthaya
Chris Alonzo
Saheem Ali
Eduardo Andino
Thomas Bradshaw
Gilela Cardenas
Robert Castro
Kipp Erante Cheng
Julia Cho
Jorge Ignacio Cortiñas
Jihan Crowther
Lydia Fort
Rafael Gallegos
Henry Guzman
Reshmi Hazra
Monica Henderson
Suzanne Hui Sun Kim
Ed Sylvanus Iskandar
Branden Jacobs-Jenkins
Patty Jang
Sonoko Kawahara
Ismail Khalidi
Bushra Laskar
Edward Bok Lee
Destiny Lily
Czerton Lim
Ignacio Lopez
Matthew Lopez
Aya Ogawa
Frederica Nascimento
Christopher Oscar Peña
Clint Ramos
Harrison David Rivers
S. Vasanti Saxena
Saïd Sayrafiezadeh
Deena Selenow
Suzi Takahashi
t. tara turk
Michael Winn
Pirronne Yousefzadeh

Citizen Exchange Corps (CEC) ArtsLink Fellows (1998-Present)

David Sakverilidze (Georgia)
Milan Govedarica (Serbia-Montenegro)
Olga Perevezentseva (Russia)
Bojan Djordjev (Serbia)
Ahmed El-Attar (Egypt)
Ahmed Eldeeb (Egypt)

Asian Cultural Council (ACC) Fellow

Yayoi Shimizu (Japan)

Two-Year Resident Fellows (2002-2010)

Jorge Ignacio Cortiñas (Artistic)
Rafael Gallegos (Artistic)
Adam Moore (Management)
Gita Reddy (Casting/Company Management)
Geoffrey Scott (Literary)
Niki Spruill (Production)
Liesl Tommy (Casting)
Lenora Pace (Directing)
Rubén Polendo (Directing)
Tracey Scott Wilson (Playwriting)

Theodore and Adele Shank Resident Playwriting Fellow (2008-2009)

Alex Lewin

Administrative Fellows (2007-2008)

Kristin McDonald
William Bryant Miles

Van Lier Emerging Artist of Color Playwriting Fellows (1995-1999)

Keith Josef Adkins
Tanya Barfield
Kipp Erante Cheng
Angela Counts
Cynthia Fujikawa
Fanni Green
Hilly Hicks
Jake-ann Jones
Chiori Miyagawa
Derek Nguyen
Carmen Rivera
Sung Rno
Said Sayrafiezadeh
Deborah Swisher
Dominic Taylor
Tracey S. Wilson

APPLICATIONS ARE NOW CLOSED

Frequently Asked Questions

What makes a competitive applicant?

The 2050 Fellowship supports early career artists who exhibit outstanding artistry and whose voices are underrepresented in the theatre. We encourage applicants with a unique lived experience & point of view inclusive of race, ethnicity, gender, faith, socioeconomic status, disability and sexual orientation.

What artistic disciplines are supported in the 2050 Fellowship?

The 2050 Fellowship supports generative artists who author or direct work. NYTW thinks broadly about what this means- sometimes it’s a playwright, sometimes it’s a director, sometimes it’s a solo performer creating their own work.  We strive to have a balance of playwrights and directors in the corps, and ask applicants to identify their main area of practice as well as any other fields where they identify. We recognize that many artists are multi-hyphenate and may identify with many artistic practices and provide great latitude in how fellows choose to work.

Must I live in New York City to apply?

While we have of course made adjustments during Covid, the 2050 Fellowship is an in-person experience. We accept applications from artists not currently living in New York City; however, applicants must be willing and able to relocate to the NYC metro area for the duration of the fellowship. NYTW is unable to provide housing, relocation or employment assistance. Inability to attend regular meetings and events during the fellowship year may be considered grounds for discontinuation of the fellowship.

 

May I apply if I am a student?

Artists who will be enrolled in a full time educational institution (either undergraduate or graduate studies) for the duration of the fellowship year will not be considered.  We encourage you to apply during your final year of school to partake in the fellowship upon graduation.

Are Non U.S. Citizens Eligible to Apply?

Yes; however, international applicants must take full responsibility for arranging their travel, travel documents and housing accommodations. Inquire with the U.S. Embassy or the consulate with jurisdiction over your place of permanent residence about visa application procedures. Receipt of fellowship stipend is dependent upon the type of visa secured. If awarded a 2050 Fellowship, you must provide the appropriate visa or work authorization and fill out a W-8BEN Form in order to receive the Fellowship stipend. If you cannot provide appropriate documentation, we will be unable to offer a stipend.

What is the application process?

The application consists of a resume, statement and work sample. Candidates who are invited to interview will be asked to submit a fellowship plan outlining how they would like to spend their fellowship year and a letter of recommendation.

How frequently do 2050 Fellowship meetings occur?

Cohort meetings occur once per month and are scheduled prior to the start of the fellowship year. Each fellow is invited to share one works-in-progress during the fellowship, and all fellows are expected to be present at the work-in-progress showings of their peers.

How much are 2050 Fellowship stipends?

2050 Fellows are awarded both a $5000 stipend and an additional artistic development fund that supports Fellowship projects, theater tickets, research, or travel.

How will the applications be evaluated?

The applications will be evaluated by members of the NYTW artistic staff and a selection of former 2050 Artistic Fellows. In the first round, everyone’s statement and resume will be read by at least 2 people, and an excerpt of your work samples will be evaluated by one person. As we narrow down finalists, your entire work sample will be evaluated in full by at least two people. We’re excited to use this application process as a way to get to know each of the applicants. While we don’t have the capacity to offer fellowships to all who apply, we continue to engage with fellowship applicants in a variety of ways.

What happens if I'm invited to interview?

Candidates will be contacted by the beginning of April to schedule an initial interview. Candidates still in consideration will be contacted to schedule a group interview in mid-April. Final decisions and offers will happen at the end of April. All interviews, individual and group, will take place on Zoom.

Further questions?

Inquiries should be sent to fellowshipinfo@nytw.org.