american (tele)visions


Good Neighbor Program Directions Accessibility

By Victor I. Cazares
Directed by Rubén Polendo

2022/23 Season

Good Neighbor Program Directions Accessibility
Read Synopsis

A long, long time ago—the ‘90s—in a Walmart far, far away, Erica, our Hero of Ages Lost, pushes her shopping cart—that most sacred ancient vessel of capitalism—through the aisles of a memory play. american (tele)visions is an explosive collision between the American Dream and the American Nightmare—the story of an undocumented Mexican family.

With singular wit and pathos, NYTW Tow Playwright-in-Residence Victor I. Cazares creates an epic multiverse where time is fluid and the characters are refracted through literal televisions, imagined video games, endless Walmart aisles, and a double-wide torn in two. NYTW Usual Suspect Rubén Polendo, founding artistic director of Theater Mitu, directs the multi-media production which includes live performance, live camera feeds and pre-recorded video.


Victor I. Cazares / Playwright

VICTOR I. CAZARES (they/them) is a non-binary Poz Queer Indigenous Mexican Artist (enby PQIMA for short) who has had stints at Yale, Brown and other less prestigious centers of rehabilitation. Like any border child, they were born twice: once in El Paso, Texas and another in San Lorenzo, Chihuahua. During the pandemic, Victor debuted virtually at Carnegie Hall as part of the Voices of Hope Festival in partnership with National Queer Theater and The LGBT Center. They also teach a tuition-free class for emerging immigrant playwrights as part of PEN America’s DREAMing Out Loud program. Plays include: american (tele)visions and Pinching Pennies with Penny Marshall  (NYTW); Ramses contra los monstruos, We Were Eight Years in Powder and «when we write with ashes» (NQT and Lincoln Center Restart Stages). Victor is currently the Tow Playwright-in-Residence at New York Theatre Workshop.

Rubén Polendo / Director

RUBÉN POLENDO is Founding Artistic Director of Theater Mitu. Committed to challenging the parameters of theater research and practice with Mitu for over twenty years, Polendo’s practice and pedagogical work is situated in the tension between acting and performance, theatrical design and installation, multi-media and interactive technology. Theater Mitu is located in its own interdisciplinary arts space in Gowanus, Brooklyn called MITU580. This former glass recycling facility is a unique gathering place where transdisciplinary arts practice is interrogated, incubated and produced. The company’s work has also been presented and developed nationally (including NYTW, The Public Theater, Skirball, Lincoln Center, NAATCO, Rattlestick Theater, 3LD, Kennedy Center, McCarter, Perseverance, The Alliance, Mark Taper Forum, A.C.T., Sundance, Watermill, NACL, Zspace, Rubin Gallery, MASS MoCA, NOLA Contemporary Arts Center, LATC, BAM) and internationally (including Patravadi Center/Thailand, CCPN/Mexico, DUOC/Chile,  Visthar/India, UB Blkbx/Mongolia, Mansion Blatt/Lebanon, Manarat Al Saadiyat/UAE, NYUAD Arts Center/UAE, Kontakt Festival/Poland, CIFCET/Egypt, MESS Festival/Bosnia & Herzegovina). Theater Mitu has been company-in-residence at The Public Theater, New York Theatre Workshop and at The NYU Abu Dhabi Arts Center. Polendo served as Founding Theater Program Director and Associate Dean for the Arts Center at NYU Abu Dhabi. Polendo is currently Chair of The Department of Drama at NYU’s Tisch School of the Arts.