Interview

For MY JOY IS HEAVY here at NYTW, access has been woven into both the fabric of the piece itself and the audience experience of the production. From open captions projected onto a dedicated section of the set design to various affinity nights and to technical choices to make every show a relaxed performance, these intentional decisions are the result of many conversations between The Bengsons, the creative team, NYTW staff, and access dramaturg Alison Kopit.

Alison took some time a couple weeks before tech rehearsals began to tell me about her story of developing the practice of access dramaturgy, as well as her work on My Joy is Heavy.

March 11, 2026 by Marty Chandler

Gamaliel Arroyo (they/he) got the chance to chat with actor, writer, activist, and performance artist Kristina Wong (she/her) about her staged show Kristina Wong, Sweatshop Overlord before it began performances at NYTW. From uncovering government-failed outreach during the height of the pandemic to how to spend only $50 a month on groceries, they uncover a lot on how pre- and post-pandemic life has changed us. So, grab some headphones and listen in on a conversation that unfolds Kristina’s experience during the pandemic and how she was able to make that reality into a zoom show and luckily with some mask and vaccine mandates, a one-woman staged show.

November 16, 2021 by Gamaliel Arroyo