Runtime: approximately 90 minutes, no intermission.
View the full festival calendar here! If you’d like to take in the festival in the span of one day, we’ve set up a Marathon Saturday lineup with snack breaks and a mid-day meal break. You can also do a Sunday Half-Marathon and see a matinee and evening performance with a meal break in between. All performances are between 60–90 minutes with no intermission.
THE UNEXPECTED 3RD: A Radical, Rollicking Rumination on the Optimism of Staying Alive will be presented in the primary NYTW theatre at 79 E 4th Street, in repertory with THE PECULIAR PATRIOT. View the festival calendar here!
This theatre uses reserved seating and accessibility accommodations include wheelchair-accessible seating, wide seats, assistive listening devices and large print programs. Learn more about accessing our buildings and contact us with questions at LetsChat@nytw.org.
Theatre isn’t a luxury, it’s a necessity—a vital part of our culture that should be available to all. So, we’re doing our part to remove obstacles that keep people from coming through our doors. At the end of the day, we want to make one thing clear: YOU BELONG HERE!
Our Community Engagement team is curating an incredible lineup of parties, talkbacks and special events to bring audiences closer to the work. We invite you to check out the For the Culture lineup and join us in community!
“INSPIRING & ENTERTAINING. A gift of laughter, renewed hope, and an appreciation for the art of aging well” –The Philadelphia Enquirer
“PERFECTION” –Broad Street Review
“Not to be missed” –Burd Reviews
Kathryn Grody corrected the cosmic error of her Los Angeles birth by finding a home at New York’s Public Theater almost 50 years ago, where Joe Papp and Gail Merrifield Papp became mentors for life. Her distinguished theater career includes her Obie Award-winning The Marriage of Bette and Boo and Top Girls, and the Drama Desk Award-nominated A Mom’s Life, all at the Public: The Model Apartment (59 e 59 theater) and 20th Century Blues (Signature Theater) Her film credits include The Lemon Sisters, with Diane Keaton and Carol Kane, and The Sunset Gang, with Uta Hagen, and the Execution of Private Slovik, with Martin Sheen on television along with various after school specials. Kathryn and her husband became unlikely social media familiars during the COVID-19 pandemic (2.3 million followers and counting.) She had the honor of recording Gail Merrifield Papp’s memoir, Private/Public: My Life with Joe Papp At The Public Theater for Audible in 2023, and had the world premiere of THE UNEXPECTED 3RD-A Radical, Rollicking Rumination on the Optimism of Staying Alive, this past fall at People’s Light Theater in Malvern, Pennsylvania, directed by her collaborator for 50 years, Timothy Near, and recently filmed the shorts Wolly Bolly and Double Happiness. The latest adventure is a podcast for Lemonada, that she records with her youngest son, Gideon, and her husband of 47 years, called Don’t Listen To Us…She is a Usual Suspect with the New York Theatre Workshop, where she will be sharing this solo work in the spring, at their Brick Festival. She is on the boards of Dances For a Variable Population, and Downtown Women For Change, and is a proud ambassador with the International Rescue Committee.
Production photos of Kathryn Grody by Lauren Thomas.
Bios are provided by each artist. Where opinions are expressed, they represent individual views. We ask everyone attending an event to read and embrace the NYTW Core Values. If you’d like to tell us about your experience at NYTW, email us at LetsChat@nytw.org.