The Unexpected 3rd: A Radical, Rollicking Rumination on the Optimism of Staying Alive

ABOUT

Written and Performed by Kathryn Grody
Directed by Timothy Near

IN THE BRICKS 2026 FESTIVAL

May 5, 2026—June 14, 2026

Runtime: approximately 90 minutes, no intermission.

Read Synopsis

Deep into her 3rd and final act of being a person, NYTW Usual Suspect Kathryn Grody investigates an eclectic, devastating and hilarious potpourri of shocking discoveries as she finds herself at 79 becoming…not quite old, but elder. “Old starts at 95!” she declares. 

Another boomer that didn’t think the aging process would apply to them, Grody enters elderhood with equal parts empowerment and utter bewilderment. Marching onward through crumbling democracy, a boiling planet and an increasingly dead roster of friends and colleagues, she is buoyed by discovering parts of herself she didn’t know were in hiding, perhaps waiting for this period to bloom. 

Mother, artist, wife, grandmother, friend and accidental influencer, Kathryn is astonished with her life, your life, and the stunning, deeply funny, heart-breaking impermanence of it all.

View the full festival calendar here! If you’d like to take in the festival in the span of one day, we’ve set up a Marathon Saturday lineup with snack breaks and a mid-day meal break. You can also do a Sunday Half-Marathon and see a matinee and evening performance with a meal break in between. All performances are between 60–90 minutes with no intermission.

THE UNEXPECTED 3RD: A Radical, Rollicking Rumination on the Optimism of Staying Alive will be presented in the primary NYTW theatre at 79 E 4th Street, in repertory with THE PECULIAR PATRIOT. View the festival calendar here!

This theatre uses reserved seating and accessibility accommodations include wheelchair-accessible seating, wide seats, assistive listening devices and large print programs. Learn more about accessing our buildings and contact us with questions at LetsChat@nytw.org.

Theatre isn’t a luxury, it’s a necessity—a vital part of our culture that should be available to all. So, we’re doing our part to remove obstacles that keep people from coming through our doors. At the end of the day, we want to make one thing clear: YOU BELONG HERE!

Our Community Engagement team is curating an incredible lineup of parties, talkbacks and special events to bring audiences closer to the work. We invite you to check out the For the Culture lineup and join us in community!

“INSPIRING & ENTERTAINING. A gift of laughter, renewed hope, and an appreciation for the art of aging well” –The Philadelphia Enquirer

“PERFECTION” –Broad Street Review

“Not to be missed” –Burd Reviews

 

  • Writer & Performer

    Kathryn Grody corrected the cosmic error of her Los Angeles birth by finding a home at New York’s Public Theater almost 50 years ago, where Joe Papp and Gail Merrifield Papp became mentors for life. Her distinguished theater career includes her Obie Award-winning The Marriage of Bette and Boo and Top Girls, and the Drama Desk Award-nominated A Mom’s Life, all at the Public: The Model Apartment (59 e 59 theater) and 20th Century Blues (Signature Theater) Her film credits include The Lemon Sisters, with Diane Keaton and Carol Kane, and The Sunset Gang, with Uta Hagen, and the Execution of Private Slovik, with Martin Sheen on television along with various after school specials. Kathryn and her husband became unlikely social media familiars during the COVID-19 pandemic (2.3 million followers and counting.) She had the honor of recording Gail Merrifield Papp’s memoir, Private/Public: My Life with Joe Papp At The Public Theater for Audible in 2023, and had the world premiere of THE UNEXPECTED 3RD-A Radical, Rollicking Rumination on the Optimism of Staying Alive, this past fall at People’s Light Theater in Malvern, Pennsylvania, directed by her collaborator for 50 years, Timothy Near, and recently filmed the shorts Wolly Bolly and Double Happiness.  The latest adventure is a podcast for Lemonada, that she records with her youngest son, Gideon, and her husband of 47 years, called Don’t Listen To Us…She is a Usual Suspect with the New York Theatre Workshop, where she will be sharing this solo work in the spring, at their Brick Festival. She is on the boards of Dances For a Variable Population, and Downtown Women For Change, and is a proud ambassador with the International Rescue Committee.

  • Writer & Performer

    Kathryn Grody corrected the cosmic error of her Los Angeles birth by finding a home at New York’s Public Theater almost 50 years ago, where Joe Papp and Gail Merrifield Papp became mentors for life. Her distinguished theater career includes her Obie Award-winning The Marriage of Bette and Boo and Top Girls, and the Drama Desk Award-nominated A Mom’s Life, all at the Public: The Model Apartment (59 e 59 theater) and 20th Century Blues (Signature Theater) Her film credits include The Lemon Sisters, with Diane Keaton and Carol Kane, and The Sunset Gang, with Uta Hagen, and the Execution of Private Slovik, with Martin Sheen on television along with various after school specials. Kathryn and her husband became unlikely social media familiars during the COVID-19 pandemic (2.3 million followers and counting.) She had the honor of recording Gail Merrifield Papp’s memoir, Private/Public: My Life with Joe Papp At The Public Theater for Audible in 2023, and had the world premiere of THE UNEXPECTED 3RD-A Radical, Rollicking Rumination on the Optimism of Staying Alive, this past fall at People’s Light Theater in Malvern, Pennsylvania, directed by her collaborator for 50 years, Timothy Near, and recently filmed the shorts Wolly Bolly and Double Happiness.  The latest adventure is a podcast for Lemonada, that she records with her youngest son, Gideon, and her husband of 47 years, called Don’t Listen To Us…She is a Usual Suspect with the New York Theatre Workshop, where she will be sharing this solo work in the spring, at their Brick Festival. She is on the boards of Dances For a Variable Population, and Downtown Women For Change, and is a proud ambassador with the International Rescue Committee.

  • Director

    Timothy Near is an award-winning freelance director, three-time artistic director and Obie Award-winning actress. She has directed over 80 plays and musicals at theatres across the U.S. including La Jolla Playhouse, The Public Theater, The Guthrie, Berkeley Rep, Center REP, Repertory Theatre of St. Louis and The Mark Taper Forum. In her 21-year tenure as artistic director of San Jose Rep, she produced over 120 plays and 20 world premieres including plays by Lynn Nottage, Lynn Redgrave, Philip Kan Gotanda, Keith Glover and her own adaptation of a Goldoni classic. Twice as artistic director, she contributed to the campaign, design and completion of two new mid-sized theatres. In addition to an Obie Award for her performance in Still Life in NYC, she was a regular guest, “Linda’s Friend Timi” on Sesame St. She directed Kathryn Grody’s play, A Mom’s Life at the Public Theater in NYC and at The Tiffany Theater in LA. She is so happy to be working with her again. timothynear.com

NEWS

Production photos of Kathryn Grody by Lauren Thomas.

Bios are provided by each artist. Where opinions are expressed, they represent individual views. We ask everyone attending an event to read and embrace the NYTW Core Values. If you’d like to tell us about your experience at NYTW, email us at LetsChat@nytw.org.