The old South lives on at the MacGregor Plantation — in the breeze, in the cotton fields...and in the crack of the whip. It’s an antebellum fever-dream, where fear and desire entwine in the looming shadow of the Master’s House. In this provocative and explosive new play, Jeremy O. Harris rips apart history to shed new light on the nexus of race, gender and sexuality in 21st century America. Obie Award winner Robert O'Hara directs. SLAVE PLAY is the recipient of the Rosa Parks Playwriting Award, the Lorraine Hansberry Playwriting Award and The Lotos Foundation Prize in the Arts and Sciences.
JEREMY O. HARRIS is a theatre artist currently residing in New Haven, CT by way of Los Angeles, CA. As a playwright, his full-length plays include Xander Xyst, Dragon: 1, “Daddy”, WATER SPORTS; or insignificant white boys and Slave Play (Winner of the 2018 Kennedy Center Rosa Parks Playwriting Award and the Lorraine Hansberry Playwriting Award). His work as a writer and director has been presented or developed by Pieterspace, JACK, Ars Nova, The New Group, NYTW, Performance Space New York and Playwrights Horizons. His work as an actor has been seen at About Face Theatre, The Goodman and most recently HBO’s “High Maintenance.” He is a 2016 MacDowell Colony Fellow, an Orchard Project Greenhouse artist, resident playwright with Colt Coeur, and is under commission from Lincoln Center Theater and Playwrights Horizons. Jeremy is currently in his second year at the Yale School of Drama.
Robert O’Hara has received the NAACP Best Director Award, the Helen Hayes Award for Outstanding New Play, two Obies and the Oppenheimer Award. He directed the world premieres of Nikkole Salter and Dania Guiria’s In the Continuum, Tarell McCraney’s The Brother/ Sister Plays (Part 2), Colman Domingo’s Wild with Happy, Kirsten Childs’ Bella: An American Tall Tale, as well as his own plays, Mankind, Bootycandy and Insurrection: Holding History. His recent plays Zombie: The American and Barbecue world premiered at Woolly Mammoth Theater and New York Shakespeare Festival, respectively. His recent directing projects include, Kirsten Child’s Bubbly Black Girl at City Center/Encores Off Center, the Universes’ Uni/Son, inspired by the poetry of August Wilson at Oregon Shakespeare Festival and Shakespeare’s Macbeth at Denver Center for the Performing Arts. He holds a Directing MFA from Columbia University.