New York Theatre Workshop's 2008/2009 Season

THINGS OF DRY HOURS
Written by Naomi Wallace. Directed by Ruben Santiago-Hudson. January 2009

In Depression-era Alabama, Tice Hogan, a black Sunday school teacher and Communist Party leader, lives at the
edge of trouble. When a white factory worker on the run demands sanctuary, Tice and his daughter, Cali, may just
be forced to cross the line. In Things of Dry Hours, playwright Naomi Wallace’s (Trestle at Pope Lick Creek at NYTW) powerful and poetic language lays bare the dangerous collision of gender, race, and ideology. Tony Award-winner Ruben Santiago-Hudson (Seven Guitars on Broadway and Signature Theatre) directs.

Two additional productions will be selected from the following list of options:

BLOODY BLOODY ANDREW JACKSON
Written by Alex Timbers. Music and Lyrics by Michael Friedman. Directed by Alex Timbers.

Shootouts! Indians! Rock 'n' Roll! Oh my! Bloody Bloody Andrew Jackson, a wild and wicked new rock musical, is an irreverent history lesson for the 21st century. Bloody Bloody... tells the story of the long and dubious journey of America's seventh president, from joining the frontier army at 13 to becoming the first populist leader of the "free world." From Alex Timbers (A Very Merry Unauthorized Children’s Scientology Pageant) and OBIE-Award winning composer Michael Friedman, Bloody Bloody Andrew Jackson takes a scorching, sly, and timely look at a moment in history when, for better or worse, the politics and politicians of the time helped shape and form the country as we now know it.

BEAST
Written by Michael Weller.

In this fever dream for the theatre, playwright Michael Weller asks the provocative question “Is America prepared to face the consequences of its actions in Iraq?” Two American soldiers, shipped home from their final tour in Iraq, physically and emotionally maimed, seem to be unable to leave the battle behind. Beast ignites with the fury and confusion of these warriors who return to a home that they find unworthy of their sacrifices. They go on a rampage across the American landscape, a horror-filled road trip, and at each stop they feed on the ugliness and violence that they find. America may be fighting them over there to keep us safe at home, but Beast forces us to confront our own complicity in the havoc wreaked by these two hapless souls.

THE GRAND INQUISITOR
Adapted by Marie Hélène Estienne from The Brothers Karamazov by Dostoyevsky. Directed by Peter Brook.
With Bruce Myers. A co-presentation with Theatre for a New Audience.

Legendary theatre director Peter Brook and actor Bruce Myers, one of his greatest long-time collaborators, give life to Dostoyevsky’s chilling parable about the perversion of religious faith.

THE NIGHTINGALE
Books and Lyrics by Steven Sater. Music by Duncan Sheik. Directed by James Lapine.

From Duncan Sheik and Steven Sater (the Tony Award-winning creators of Spring Awakening) and Tony- and Pulitzer-winner James Lapine (Sunday in the Park With George, The 25th Annual Putnam County Spelling Bee) comes a new musical based on the fairy tale by Hans Christian Andersen.

THE HEART IS A LONELY HUNTER
Based on the novel by Carson McCullers. Adapted by Rebecca Gilman. Directed by Doug Hughes.

When a mysterious, mute stranger arrives in a small Southern town, the locals flock to him as a newfound confidant, seeking compassion and understanding from the one person who needs it the most. As they start to rely on him more and more for both emotional and financial support, he finds himself slipping deeper and deeper into a black hole of loneliness. Adapted for the stage by acclaimed playwright Rebecca Gilman and directed by Doug Hughes (The Beard of Avon at NYTW, Doubt), The Heart is a Lonely Hunter is a beautiful and timeless tale about the universal need for human connection.

TALES FROM HOLLYWOOD
Written by Christopher Hampton.

Hollywood. 1938. Austrian playwright and novelist Odon von Horvath arrives, fleeing Europe and trying to make a life for himself as a screenwriter. In the midst of the brutal World War, Horvath and his fellow émigré writers, including Thomas Mann and Bertolt Brecht, struggle to find a place for themselves in America while coming to terms with the political actions of their countrymen. When the war finally ends, the lucky escapees find themselves persecuted by the country that took them in. Tales From Hollywood is a moving and cautionary tale about the potentially tragic effects of remaining true to one’s beliefs during a time of political unrest.

NEW AT NYTW:
OFF AGAIN! THE OFF-BROADWAY MUSICAL SERIES

Stemming directly from our mission to produce work by artists whose visions provoke and challenge all of us, the
Off Again! Musical Series will examine the history of Off-Broadway musicals as a body of work and their impact over time. While exact titles and dates are still being determined, NYTW plans to hold a concert series of two or three musicals that represent a diversity of artists, forms, and traditional notions of “success.” The concerts will have short runs. Currently under consideration are: Promenade (1969), written by Maria Irene Fornes and composed by Al Carmines; Iphigenia in Concert by Peter Link; and The Waves, written by Lisa Peterson (based on Virginia Woolf’s The Waves) and composed by David Bucknam.

Just as the original productions of these and other Off-Broadway musicals demonstrated diverse casts, NYTW will cast these concert versions with a diversity of ethnicity, sexual orientation, and gender in mind. The 2008/09 Season will be the inaugural year for what NYTW plans to be an ongoing annual series.

Please note: The Off Again! Series is not part of the 3-Play Member package and SmartPass tickets will not be valid for these performances. All NYTW Members and SmartPass holders will receive an exclusive opportunity to purchase tickets at a discounted price before the general public.

All Repeat Defenders will be guaranteed a pair of comp tickets to one OFF AGAIN! concert of their choice. Repeat Defenders at the $5,000 level will be entitled to two pairs of their choice.

For more information about NYTW's 2008/2009 membership packages and how to become a member of New York Theatre Workshop, Click here!

 

 

All programs subject to change.

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